Stepping back into the Walnut Street Theatre was an experience in itself. It marked the first time I had been within those historic walls since 2017, when I had the distinct privilege of performing on its legendary black box stage in “Tell the Truth and Shame the Devil,” a powerful play written and directed by the visionary Cheryl Cheris of CJ Productions. I had attended “The Livingroom” in January 2017 where I promised myself, I was going to perform in that theatre, and to now be back for opening night of Dreamgirls, especially considering my own time on that very stage in May of that year, felt incredibly special.

The Walnut Street Theatre, established in 1809, holds the esteemed title of the oldest continuously operating theatre in the English-speaking world and a National Historic Landmark. For over two centuries, it has been a beacon of American theatre, showcasing countless iconic performances and hosting legendary actors. Its very walls seem to hum with the echoes of theatrical history.

The vibe of the theatre on opening night was electric. There was a palpable buzz of anticipation in the air, a sense of excitement that crackled through the ornate lobby and into the grand auditorium. The pre-show dinner with the board members of the Walnut Street Theatre was an experience unto itself, providing a wonderful opportunity to connect with individuals deeply invested in the theatre industry. A true highlight of the evening was the distinct honor of meeting Bernard Havard, the esteemed Producing Artistic Director of the Walnut Street Theatre, whose vision continues to shape this vital cultural institution.

It was an honor and a pleasure to attend the event with my Sister-Friend, Princess Ameenah also known as the North Philly Diva! Ameenah and I met when performed as the lead actress in my first professional stage production, “Oh God, Please Send Me a Do Right Man”. The flame was lit and I have never looked back!

The Philly Divas of Drama: Princess Ameenah and Mizz Gabrielle Nicole

If you thought you knew Dreamgirls, think again. Walnut Street Theatre’s 2025 production doesn’t just revive the beloved musical — it reignites it with ferocious energy, show-stopping vocals, and a cast that radiates star power from the first note to the final curtain call. This isn’t a revival — it’s a resurrection.

A Story That Still Cuts Deep

Set in the glitzy, gritty world of 1960s R&B, Dreamgirls tells the tale of The Dreams, a girl group trying to break into a music industry that’s equal parts glamorous and cutthroat. At its core, it’s a story about ambition, loyalty, betrayal, and the price of fame — themes that still feel urgently relevant today. It’s about Black women finding their voice — and then refusing to let anyone take it away. It’s the sound of rising up when the world tries to silence you.

This Cast Eats, Breathes, and Belts Greatness

Let’s talk about this cast, because every single performer deserves a standing ovation and a spotlight.

Aveena Sawyer as Effie White — If Broadway doesn’t snatch her up after this, somebody’s asleep. Her powerhouse vocals on “And I Am Telling You I’m Not Going” didn’t just bring the house down — it sent shivers through the walls. Sawyer gives Effie grit, pain, heart, and a warrior’s soul. It’s not just a performance — it’s a declaration.

Gabrielle Beckford as Deena Jones — Poised, graceful, and burning with quiet intensity, Beckford takes Deena’s transformation from shy backup singer to polished star and makes it a masterclass in character evolution. She sings with clarity and purpose, showing us the heartbreak of a woman who gains everything, yet risks losing herself.

Khalifa White as Lorrell Robinson — Lorrell is the sunshine of the group, and White shines like a supernova. She brings comedic timing, sparkling energy, and raw emotion to her scenes — especially opposite James “Thunder” Early. Her arc is touching, real, and beautifully layered.

E. Clayton Cornelious as James “Thunder” Early — Electric. That’s the only word for Cornelious. Every time he hits the stage, it’s like watching fire being bottled — only to explode in your face. He brings both wild charisma and tragic complexity to Jimmy’s downfall, making it impossible to look away.

Jarran Muse as Curtis Taylor Jr. — Smooth-talking, ambitious, and cold-blooded in the best possible way, Muse gives Curtis the magnetic pull of a man who believes he’s the god of his own universe. His chemistry with every cast member is sharp, calculated, and thrilling to watch unravel.

Devin L. Roberts as C.C. White — The emotional heartbeat of the show, Roberts brings tenderness and truth to C.C., the songwriter stuck between family and business. His quiet strength anchors many of the production’s most heartfelt moments.

Forrest McClendon as Marty — A seasoned presence who delivers wisdom with bite, McClendon gives Marty the kind of old-school soul and quiet dignity that lets you know: this man’s seen it all. And he’s not impressed by Curtis’s games.

Staging That Pops, Sizzles, and Shines

Gerry McIntyre’s direction and choreography is slick, vibrant, and intentional. From glittering costume changes to sharp choreography that snaps with every beat, the visuals alone are worth the price of admission. Scenic designer Andy Walmsley’s backdrops shift like album covers come to life, and Jose Santiago’s lighting cues pulse like a heartbeat — fast, dangerous, alive.

Dustin Cross’s costumes and Destinee Steele’s wigs and makeup give you Motown glamour, but also just enough grit to remind you what it costs to look that good.

Final Word: Don’t Walk — RUN

Dreamgirls at Walnut Street Theatre isn’t just a musical — it’s a movement. It’s a celebration of Black artistry, resilience, and storytelling. It’s what happens when a cast of thoroughbreds is let loose on a stage with something to say and nothing to lose. Every song hits, every scene lands, and by the end, you’ll be on your feet — screaming, crying, praising, and ready to see it all again.

Get your tickets now — because this is more than theatre. It’s history being made in real time.